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You are here: Home1 / Litmosphere: Journal of Charlotte Lit2 / Litmosphere: Journal of Charlotte Lit: Issue 1, Spring 20223 / Tara Campbell: The Loveliest Thing
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Lit/South Awards 2022
Flash Judge


Tara Campbell

The Loveliest Thing

Ruth knew that dress, she was certain of it: black satin sheath, full-length, with a peacock splaying his obsidian-beaded tail from the young woman’s waist to her toes. Even on a grey Seattle afternoon, the dress somehow found enough light to shimmer as the woman wearing it walked down Rainier Avenue.

Ruth surprised herself by crossing the street and heading toward the dress. She ignored the stitch in her hip, as well as all the other shopping she had to do before the showers they were predicting, and stepped onto the sidewalk a couple of paces in front of the young woman.

“Excuse me,” she asked. “May I ask where you got that dress?” 

The woman—a girl, really—popped her earbuds out. “’Scuse me?” She was younger than she’d seemed from across the road; perhaps the short, black bob with high-cut bangs was what did it. She was, in fact, about the same age as Ruth had been the first time she tried the dress on all those years ago.

Ruth blushed. She wasn’t normally this kind of person, striking up conversations with strangers. She wouldn’t even have dared to walk into the boutique where she’d first seen the dress if not for her friend Mona. Mona was like that, bold; strutted right in even though both of them together couldn’t have afforded a single stocking in the place. 

“I was just wondering where you got that dress.”

The girl said the name of a store Ruth had never heard of, which had records (“actual vinyl!”) and vintage jewelry and sixties furniture and “all kinds of stuff.” Ruth was sure she wouldn’t remember any of it, distracted as she was by the crystal chip in the girl’s nose and the flash of lime gum as she spoke.

Ruth noticed that one of the shoulder straps was frayed, and a few beads were missing from the tailfeathers. What’s more, the silk was slightly faded and discolored at the bottom. Still, her mind wandered to all the special occasions, all the balls and parties she’d dreamt up for the dress while she stood in front of the boutique mirror. She’d turned from left to right, watching light flash off the proud beaded peacock and slide over the curve of her hips. She turned and looked at Mona then, hoping to see a similar gleam in her eyes. If anything, she thought, this dress could do it: convince Mona to slide her arms around her and admit how she truly felt.

Ruth surprised herself again. “Would you consider selling it to me?”

The girl’s eyebrows shot up.

“There’s a shop down the street,” Ruth said. “I’ll pay for the dress and buy you something else to wear instead.”

The puzzlement on the girl’s face changed to curiosity as she considered it.

Back in the boutique, Mona had simply shaken her head—quietly, subtly. Devastatingly. Whether it was “no” to the dress or to her, Ruth never had the courage to ask. Instead, she simply went back to the dressing room and let the loveliest thing she’d ever felt slide down her skin to the floor.

A drop of rain pelted Ruth’s hand. She still had so many things to get done before the skies opened up again. The dress wouldn’t even fit her now, and she had no one to give it to. And yet, she waited—chest humming, the feel of silk around her hips, the peacock winking his jet-black beads—for the girl to say yes.


Previously published in February 2019 at Cease, Cows.

Lit/South Awards

Charlotte Lit’s Lit/South Awards offers $1,000 in first place prizes in poetry, fiction, and nonfiction. Open October 1 to November 1. Info is here.

Litmosphere 2022 Online

 

Table of Contents

Michael Dowdy
Editor’s Note

Kathie Collins & Paul Reali
A Welcome from Charlotte Lit’s Co-Founders

Dustin M. Hoffman
This Picture of Your House

Amie Whittemore
The Peony
If No One Opens Us, We’ll Thirst

Karen Salyer McElmurray
In Varanasi

Amber Wheeler Bacon
The Damage
General Sorrows

Junious Ward
Imagine Me
Love as an Object Lesson, Cornfield

Annie Woodford
In the Dark I Light a Little Fire

Stephanie Elizondo Griest
Día de Muertos

Cynthia Robinson Young
Her Name Was Theosa

Janna Zonder
Who Kills the Bugs for the Dalai Lama?

Steve Cushman
The Last Exxon in Oregon

Yvette R. Murray
The Opposite of Charleston Is Pittsburgh

Sara Beck
pixie

Nickole Brown
Prayer to Be Still and Know

Shannon C. Ward
The Birds of Lake Norman
The Resolution

Kacie Faith Kress
Lesbian Communion

Richard Allen Taylor
I Inherited Hundreds of Candles
La Chambre d’Écoute, 1952

Ron Rash
The Belt

Tina Barr
Deployed

Jenny Hubbard
In the year of our Lord, 1621, my husband paints me as a nun

 Caren Stuart
of wangechi mutu’s fantastic journey…

Tracy Rothschild Lynch
When Organ Becomes Metaphor

Jessica Jacobs
Ordinary Immanence

Tennessee Hill
Birch Tree Summer

Maryann Hopper
New Brunswick Enigma

Fred Pond
The southern hemisphere of longing and regret

Tara Campbell
The Loveliest Thing

AE Hines
Find a Friend
After the Adoption

Jessica Lee Richardson
Cyanide Slinger Swing

Wayne Johns
Patriots

Matt Cheek
Lucas

Barbara Campbell
Last Night I Made Love with a Horse
Behind the purple lilacs my mother and the milkman would have sex…

Barry Peters
Spring, Morning

Michael Banks
Troubles No More

Emily W Pease
Bertha

David Dixon
Going Home

Lucinda Trew
camouflage

Tori Reynolds
Bagatelle

Pamela Wright
Breath in the Body
Hallelujah By and By

Gretchen Steele Pratt
Totality

Kathy Goodkin
Two Dreams About the Moon

 

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